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Dorothea Margaret Tanning was an American surrealist painter, printmaker, sculptor, writer and poet.
In 1935 Dorothea came to New York and worked as an advertising artist until she was inspired by the paintings of the famous Surrealists at an exhibition. She began to paint and exhibit and made numerous acquaintances among contemporary artists. In 1946 she married the artist Max Ernst, and this marriage lasted 30 years. They lived in Paris for a long time, and after his death in 1976, she returned to New York.
As an artist, Dorothea Tanning was self-taught, and her style was constantly changing. At first close to surrealism, by the late 1960s her paintings had become almost entirely abstract. Among her artistic accomplishments are paintings, prints, sculpture, stage design, costume and set designs for ballets, and her work has been exhibited at the Guggenheim Museum, the Metropolitan Museum of Art, the Tate Modern, and the Philadelphia Museum of Art.
In the late 1980s, Tanning began writing poetry, and her work has subsequently been published in various publications. Her first collection of poems, A Table of Content, was published in 2004. The multifaceted and versatile artist died in New York City at the age of 101.
Theo van Doesburg, real name Christian Emil Marie Küpper, is a Dutch painter, architect and sculptor, art theorist, co-founder of the Style Group and of Neoplasticism.
Theo van Doesburg co-founded with Piet Mondrian the De Stijl abstract art movement. The basis of van Doesburg's views was the attempt to reduce all forms of objective harmony in a work of art to certain geometric elements. These new principles soon had a significant influence on the development of architecture, literature, graphics and music.
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Jacint Rigau-Ros i Serra, known in French as Hyacinthe Rigaud, was a Catalan-French baroque painter most famous for his portraits of Louis XIV and other members of the French nobility.
Berthe Morisot was a French painter, renowned for her pivotal role in the Impressionist movement. Born into an affluent family in 1841, Morisot's upbringing was steeped in culture, and she received a comprehensive art education alongside her sisters. Despite societal constraints, she pursued a career in art, initially exhibiting at Paris' salons before transitioning to the more avant-garde Impressionist exhibitions.
Berthe Morisot's artistry is characterized by a unique blend of color, light, and texture, embodying a distinctly "feminine" style that garnered admiration from her peers and critics alike. Her works, such as "The Cradle" and "Hanging the Laundry out to Dry," showcase her ability to capture the ephemeral qualities of everyday life with a tender and nuanced touch. Morisot's palette, dominated by pastel tones and an interplay of light, lends her paintings an ethereal quality, while her brushwork reflects a freedom and delicacy that became her signature.
Throughout her career, Berthe Morisot's evolving style reflected broader artistic trends, integrating influences from photography and Japanese prints. Yet, she remained faithful to the Impressionist ethos, capturing the transient moments of life with grace and sensitivity. Today, her works are celebrated in museums like the Musée d'Orsay, testament to her enduring influence in the realm of art and culture.
As we remember Berthe Morisot, her legacy continues to inspire art collectors and enthusiasts, reminding us of the profound impact one individual can have on the course of art history. For those captivated by Berthe Morisot's contribution to art and culture, we invite you to sign up for updates on upcoming sales and auction events featuring her works. Join us in celebrating the timeless beauty and historical significance of Morisot's artistry.
Johann Wolfgang von Goethe, a German polymath and writer, is celebrated as one of the most influential figures in the German language and Western culture. His vast array of works spans poetry, novels, plays, and scientific writings, reflecting his diverse interests and profound impact on various fields.
Goethe's early life in Frankfurt laid the foundation for his diverse interests. After studying law, he gained fame with "The Sorrows of Young Werther," which led to an invitation to the Weimar court. His contributions there were significant, including roles in the ducal council, mining supervision, and cultural endeavors like theater management and the botanical park's planning.
His literary achievements are vast, with notable works like "Faust" and "Wilhelm Meister's Apprenticeship," which delve into human nature and societal reflections. Goethe's "Sturm und Drang" period was marked by intense emotion and a break from traditional forms, influencing subsequent cultural movements.
Johann Wolfgang von Goethe's interest in science is equally noteworthy. He made contributions to biology, zoology, and color theory, advocating for a holistic view of nature and expressing skepticism toward restrictive scientific methodologies. His works in these areas reflect a deep desire to understand and articulate the natural world's interconnectedness.
For art collectors and experts, Goethe's influence extends beyond his literary and scientific contributions. His role in Weimar Classicism and his artistic endeavors offer rich insights into the period's cultural landscape, providing a multifaceted perspective on his legacy.
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Maitre de Coëtivy, born Colin d'Amiens, was a French artist, illuminator and painter, one of the recognized artists of the French court.
Contemporaries considered this master to be the most important artist working in Paris in the third quarter of the century. The master was named for the Book of Hours, which he illustrated for the chamberlain of Charles VII, Olivier de Coetivy. Maitre de Coëtivy also created panels, worked on stained glass and tapestries. Among his famous clients was Louis XI's brother, Charles of France; his works decorated the great church of Saint-Severin in Paris and the royal courts.
